Author: admin

Coming off a dusty run through the Middle East and a frosty layover in Finland, I landed in Copenhagen feeling like a ghost. That kind of jet-lagged, soul-hollow loneliness that creeps in somewhere over the Atlantic and tightens its grip with every hour. I missed my kids. A dull ache, like background noise. I missed my wife too—at least the parts of her that didn’t involve passive-aggressive jabs over the dinner table or phone call. I didn’t miss the complaining.

This trip wasn’t for pleasure. I was here on reconnaissance—scouting the city like a war correspondent casing the front lines of future holiday cheer. Years ago, when she was still chasing degrees and idealism, she’d done a school project on Christmas in Denmark. She remembered it fondly. I remembered her face lighting up when she talked about it. So, maybe I could bottle that memory, repackage it as a trip for the kids. A gift. A gesture. Maybe even a peace offering.

I stepped off the plane and into the cold light of the Copenhagen airport. Bone-tired. Out of place. But here.

The taxi ride in was, surprisingly, a lift. Copenhagen—neatly pressed, bicycle-polished Copenhagen—has this undercurrent most tourists never see. A pulse of Arab and Turkish families carving out a better life beneath the postcard-perfect surface. My driver was Syrian. We talked. Not small talk—real conversation. Dubai came up. Its food. Its excess. Its lights. Places he’d been. Places I’d passed through like a shadow. I made sure to tip him well.

I mentioned, vaguely, that I worked with cell towers. I never tell anyone what I actually do. Not really. That story’s for me.

He dropped me at a hotel I booked for fifty bucks a night. Not a hostel—never. I had gear. A camera. A tripod that cost more than the room. Rick told me to buy it. Said I’d thank him one day. I think I did. Maybe not out loud.

I brought lenses too—more ambition than talent, but I was determined to shoot something. Anything. The city. The streets. A bowl of soup that meant something. I wasn’t just here to decompress from the brutal rhythm of 13-hour days, seven days a week—I was here on recon. Could this city carry a Christmas for the kids? For her?

The hotel was exactly what you’d expect for the price. Basic. Sparse. No soul. But that was fine. I wasn’t here to be comfortable. I was here to remember what it felt like to be a person again.

I checked into the hotel and didn’t waste time. Grabbed my gear and hit the streets—camera slung, tripod under arm, chasing that last hour of light. The kind of light that makes cities look honest.

Copenhagen isn’t loud about what it is. It just is. Clean streets, endless bikes, and a walking culture that makes you feel like a slug if you’re not moving. But beneath the polished veneer, there’s a smirk. A sense of humor. Somewhere between charming and obscene. Did I just pass a piece of public art shaped like a dick? Yeah. I think I did. And no one cared. No pearl-clutching. No fences. Just… there. Bold. Unapologetic.

Maybe that’s the thing about this place. You’re allowed to be free—as long as you don’t ruin it for anyone else.

The sun was dropping fast, and I was still hunting. That golden hour was slipping. I made it just in time—just before the last rays dipped below the rooftops and the harbor turned from postcard-perfect to something quietly cinematic. Click. Click. Silence. It was good.

There I was—hunched behind the camera like a wannabe auteur, manually dialing in the shot. ISO, exposure, shutter speed… the quiet language of control in a world that rarely gives it to you. I was still fumbling through F-stops like a kid learning to drive stick, but I knew what I wanted: no blur, no bullshit—just a clean, honest image of something that mattered.

Nyhavn. The harbor. Painted homes lined up like candy-colored soldiers. Touristy, sure. But there’s a reason people come here. Today, I wasn’t just another set of feet on cobblestones—I was present. This moment was mine.

I framed the shot to get every shade of yellow, blue, and red. It wasn’t just for me, of course. Part of it was for the crowd. The digital crowd. The ones who need to know you’re still out there, still moving, still living some curated version of a life worth envying.

The sun dipped. The sky lost its warmth. I packed up the gear, hauled it back to the hotel like a mule carrying glass, and dropped it with care. Then I Googled Thai food in Copenhagen—because sometimes, all the Michelin stars and Nordic fusion in the world can’t beat the comfort of fish sauce and chili.

And I walked. Quiet, content, alone.

I was alone.

Not the kind of alone that feels cinematic or noble—but the kind that wraps around your ribs like a cold hand. I’d been a good boy. I didn’t chase temporary pleasure, didn’t go looking for a warm body to erase the ache. But sometimes, it came anyway. Flirtation with no future. A compliment in broken English. A glance too long. I was flattered—but I stayed seated, alone, at a small table with a tall pilsner and my usual: Thai curry. Always the curry.

As the spice hit and the beer cooled my tongue, I made a silent promise to myself: never again like this. No more solo pilgrimages where I pretend it’s all for the photos. My wife would never come here. Outside of Italy, her passport collected more dust than stamps. Later, I’d come to understand why—anxiety. The kind that drains the joy out of airports and makes even the idea of adventure feel like a threat. My 15-year-old had the same storm brewing inside. I recognized the signs—the fidgeting, the dread, the need to retreat.

I was with the wrong person.

The woman I married—the one who once made me laugh, who danced drunk under fireworks—she wasn’t that person anymore. We were becoming strangers with matching tax forms. I was out here building a future, making money in cities I could barely pronounce while she was still trying to find herself after the Navy. But she didn’t find herself alone. She found someone else. While one kid stayed at my mom’s, the other stayed with her—and her plus one.

I didn’t know the whole story yet. But the breadcrumbs were already there.

The curry was good. Comforting. The kind of meal that doesn’t ask questions. I paid, walked back through cold Danish air, and crawled into a hotel bed built for one.

I missed my family. Not the one I had, maybe, but the idea of what it could’ve been. I queued up Esta Tonne’s Golden Dragon—that haunting guitar I’d first discovered on a lonely train ride somewhere in Europe. It had become my soundtrack for solitude.

And I slept. Sort of.

Sleep didn’t stick. Maybe a few hours. That kind of restless hotel sleep where your body’s horizontal but your mind’s still pacing. I was heading to Kiel, Germany next—but first, I needed one more walk. One more reason to stretch my legs before checking out of another room that held nothing for me.

I had a mission. Somewhere online, I saw a picture—giant concrete elephants standing guard outside the old Carlsberg brewery. Not just beer mascots—monuments. Odd, surreal, and a little majestic. They stuck with me. I knew I had to see them for myself. So I walked. A few miles through waking streets. No map, just the quiet pull of intention.

When I finally reached them, there they were. Massive. Strange. Beautiful in that industrial, European way. I took the shots. Carefully. Patiently. It felt worth it.

Because for years, I wasn’t allowed this. Travel had been rationed out in teaspoons. A trip here, a weekend there. But I wanted the whole goddamn meal. The freedom to disappear into cities, to eat new food, to photograph something no one else I knew had seen.

Later, I’d realize this wasn’t just a detour. This was survival. A way to breathe before going back home to an ex-wife who didn’t know how to stop arguing, who didn’t know how to listen, or offer softness when I needed it most. She didn’t decompress me—she crushed me. I needed tenderness. I needed stillness. She gave me static.

So I bottled it up. Like a coward or a man with no other option.

I drank. I laughed too hard with friends who knew something was wrong but didn’t ask. I drank some more. It was unhealthy, sure. But it worked—until it didn’t.

And now? Now I walk through foreign streets chasing elephants and shadows, camera in hand, trying to get back to myself. One photo at a time.

Checked out. One last look at the sterile hotel room, the crumpled sheets, the camera gear now repacked with surgical care. I headed to the station, bought a ticket the old-fashioned way. No drama. No overthinking. Just a train, a seat, and a window with miles of unknown spilling past.

This was the part I craved—watching the countryside roll by like an old film reel. Open land. Fences. Farmhouses. Pockets of stillness where people lived entire lives without ever needing to explain themselves.

Somewhere along the ride, I thought about her—an ex-girlfriend. She knows who she is. I won’t name her. Not out of drama, but respect. She studied here once, years ago. A foreign exchange trip full of wine, rebellion, and stories that made my brow twitch when she told them. But she needed it. We all did, in our own way. Her hosts showed grace. She learned the language. Became part of the landscape for a while.

She’ll probably shoot me a message when she hears I passed through—maybe with a story too wild for text. We’re on good terms. Most of them are. There are only a couple I’ve exiled from memory. Not out of heartbreak, just… preservation.

On the train, I cracked open a beer. One of those tall cans that pairs well with movement and silence. A guy sat next to me—no words, just a nod. Maybe he thought I was local. Maybe he didn’t care. We just drank together. Strangers. No names. No agenda. A quiet ritual in a moving box of steel.

Eventually, the train slowed. Kiel.

I had a bed waiting. And a friend I hadn’t seen in too long.

Germany would be different. It had to be.

---

Back in the early 2000s, I signed up with the Air National Guard out of Philly. Not out of some grand patriotic fever, but because I needed out—out of central Pennsylvania, out of the small-town gravity pulling me under. I wanted an education. And maybe, just maybe, a shot at something bigger.

I won’t name names here—that part of the story isn’t mine to expose. But I ended up living with a Korean family. Kind people. Generous. They opened their home to me, no questions asked. Maybe they pitied me. Maybe they saw something worth saving. Or maybe I was just another lost American kid showing up hungry and half-formed. Doesn’t matter.

What matters is they treated me like one of their own. And then something wild happened: we traveled together. A family trip. Abroad.

Now for a guy who grew up watching overdue bills pile up on the kitchen counter, a trip overseas wasn’t something that happened. It was something you saw in movies, something that happened to other people—people with frequent flyer miles and dinner reservations.

But there I was, passport in hand, with people who barely knew me, flying thousands of miles away from the only life I had known.

It wasn’t just a trip. It was a kind of salvation.

Second time out of the country. Second time in South Korea. I didn’t know what to expect, but I knew one thing—I felt safe. Traveling with the Korean family gave me a kind of grounding I hadn’t known before. They trusted me. And in return, I trusted them.

Korea in the early 2000s felt like the U.S.—just… a decade behind. A country still stretching its legs after being broken by war, trying to catch up without forgetting what it’s been through. And make no mistake, the war never ended. Just a ceasefire. A breath being held for fifty years. The line between North and South still watched, still dangerous. Seoul, vibrant and sprawling, lives with the hum of that tension. A city with a sword hanging over it by a thread.

We started there—like many families do. My Korean family had left years ago, but this was a return. A kind of pilgrimage. The old man—he needed the air of home. He’d done his time. Literally.

He told stories. Not the sanitized kind. He’d been brash. Angry. Probably scared, too. Like every conscripted kid from a poor neighborhood who gets handed a rifle and a death sentence. In Korea, service isn’t optional. But class? Class decides whether you die in the dirt or shine your boots behind a desk. Rich kids got sent to the rear. Poor kids got swapped out, reassigned, and thrown forward. Games played with serial numbers and signatures.

The old man got the front line. Gunner on a chopper. Black ops over the border. He talked about the gun—how it tore through people like paper. He said it with a kind of weight I’d seen in the eyes of old vets back home. A knowing. Not pride. Not shame. Just the kind of truth you carry when you’ve seen the worst in men—and in yourself.

I respected him. More than that—I needed him.

He was the kind of father I didn’t know I was missing until he showed up. Tough, but warm. Scarred, but whole. He gave a damn about me. Gave me structure. And for the first time in a long time, I felt what that was like.

I loved him. I loved them. And in that moment, halfway across the world, I wasn’t lost. I was home.

The adults did what adults do—sat around tables, poured drinks, swapped stories in low tones. Left to ourselves, the kids—us—we were cut loose.

My cousin, or something like a cousin, took charge. He was the type who knew the city and how to bend the night in his favor. He brought along his buddy from construction—rough hands, easy grin. The kind of guy who works all day, drinks all night, and knows when to laugh.

We hit the streets. Neon washed over us like rain. We talked. We drank. I listened more than I spoke. There was something about hearing your life mirrored in another tongue, in another place, that made it hit harder. These weren’t just drinking buddies. This was a window into another life.

My cousin had plans. Big ones. He was headed to the States for school. The pressure of Korean parents is no joke—he wore it like a second skin. An American degree meant respect, escape, maybe even happiness. He didn’t say it out loud, but I knew the weight he carried. We all carry it differently.

We promised to write. I didn’t. Life moves. Distance grows.

But that night, we laughed like the world outside didn’t matter. Like the border up north wasn’t humming with tension. Like responsibility could wait.

Just for one night, we were kids in a foreign land, drinking like locals, dreaming like fools.

And it was beautiful.

Like every family, we did the most universal thing you can do when you’re packed into a van with people you love—hit the road.

We drove south, deeper into the spine of Korea. Destination: Daejeon. A city that doesn’t make it onto postcards or tourism campaigns, but that wasn’t the point. I think it was where Korean mom’s family came from. We were visiting a sister? A brother? Memory’s a little foggy on that one.

What I do remember, clear as a soju bottle at midnight, is being the first white guy they’d ever seen in real life. Not in movies. Not on game shows. A flesh-and-blood American, standing awkwardly in the doorway like a walking culture shock.

They stared. I smiled. And honestly? I didn’t blame them. This wasn’t Seoul. This wasn’t near a base. This was the real Korea—unfiltered, unscripted, and unconcerned with who I was.

I was honored, but didn’t make a big deal of it. I was a guest. You show up, you eat what’s offered, you smile, you shut up.

Then came Busan. That’s when things got… interesting.

The old man, ever the practical warrior, booked us a cheap hotel. Frugal to a fault. Except this place wasn’t just cheap—it had a very specific clientele.

A love hotel.

I should’ve known when I walked past racks of VHS porno tapes on the way up the stairs. That kind of neon-lit sadness you can’t unsee. This wasn’t a place for families. This was a place for… transactions.

Korean mom? I think she was horrified. Or maybe not. Maybe she knew and just didn’t say anything. Sweetest woman I’d ever met—wouldn’t put it past her to just endure it for the sake of the trip. Either way, I didn’t ask.

My room? It had a bed. Circular. Vinyl. Hard as a rock. A bed made for thrusting, not resting.

I got a call shortly after settling in—just to check if I was okay. I was. More than okay, honestly. I was alone. In a foreign city. In a room designed for one-night stands. And somehow, I slept like a baby.

The best part? The old man and I couldn’t stop laughing. Days later, we’d still bring it up—crack jokes in the car, mid-meal, out of nowhere. That hotel became legend. Our little shared absurdity on a trip full of memories.

Sometimes, it’s the weird stuff that stays with you the longest.

And God, do I miss that laugh.

We woke up and did what you do when you’re trying to make the most of a morning in a strange city—you go see the dead.

Royal tombs. Not tourist traps or carnival rides. Just these massive grassy mounds, quiet and solemn, set apart like sacred punctuation marks on the Korean landscape. Buried royalty, untouched and revered. You could feel the respect in the air. No trash, no shouting kids, no selfie sticks. Just reverence.

It was my first time standing in front of anything that old, that regal. I didn’t know the names. I didn’t know the dynasties. I wish I did. Korean history—at least where I grew up—wasn’t something we were taught. It was glossed over in favor of more familiar faces. More comfortable stories.

But standing there, even with a blank slate, I felt it. The weight of a civilization that’s been through war, invasion, occupation—still standing. Still remembering its kings.

You don’t have to know the full story to feel the page you’re standing on is important. I just wish I’d read more before I got there. Maybe I would’ve bowed a little deeper.

When we were heading north when it happened—an unexpected detour into reality.

Checkpoint.

At first, I didn’t get it. I thought maybe it was some traffic thing, or a toll, or a random inspection. Then it hit me. This isn’t just a country with a tense history. This is a country still technically at war. The Korean War didn’t end. It just hit pause. And those checkpoints? They’re not decoration. They’re designed to catch the bad guys. The ones who don’t belong. The ones sneaking in from the north.

What they caught instead… was us.

Turns out, the old man and my Korean family members weren’t exactly “cleared” to be behind the wheel in Korea. No licenses. No paperwork. Just vibes.

But me? I had this flimsy little AAA-issued international driver’s license. A joke in most parts of the world. But right then, it made me the most legal person in the vehicle. A white American kid with the power of laminated plastic and dumb luck.

The old man, never one to miss an opportunity, spun a quick tale. Told the officer I was tired, overworked, too worn out to drive. We smiled. We nodded. We lied beautifully.

Next thing I knew, I was in the front seat. Behind the wheel. Me—driving a Korean minivan full of people, heading north toward the DMZ, technically saving the day with my questionable credentials and a straight face.

We laughed about it the whole way. The old man kept shaking his head, grinning like a fox.

For once, I wasn’t just tagging along. I added something to this trip. I mattered. And damn, did that feel good.

Northbound, baby. Me driving. Hah. What could possibly go wrong?

I grew up with martial arts. American-style. Chopsocky movies, dojo mats that smelled like old socks, and this vague, romantic idea that anything Asian was somehow… sacred. Mysterious. Holy.

So when I stood at the base of that towering Buddha at Sinheungsa, nestled in the Korean mountains, I felt it—that same childhood awe. Monks in robes. Prayer wheels spinning in silence. The kind of setting that made you believe you were just one whispered mantra away from becoming a kung fu master or unlocking some kind of inner peace.

Of course, I found neither.

No secret scroll. No enlightenment. Just me—an American kid standing in front of an ancient statue, trying to feel something profound.

And yet, I appreciated it. Deeply. Not because it changed me, but because it didn’t have to.

Sinheungsa didn’t owe me a transformation. It just was. A place older than my country. A place where people actually lived out the beliefs I’d only seen on VHS tapes and half-read books.

Then the old man—because he always had a story—leaned in and ruined the moment in the best way possible.

Told me about his time up in the mountains as a chopper gunner. Said when they needed firewood, he’d just point the machine gun at a tree and rip it down.

Firewood by way of automatic weapon.

Of course that’s what he did. Why wouldn’t he?

And just like that, the sacred and the absurd coexisted. That’s Korea. That was my trip. That was life.

A giant Buddha in the mist… and a guy cutting down trees with a belt-fed M60.

We made our way back to Seoul, winding down the mainland miles behind us. But the trip wasn’t over—not yet.

Next stop: Jejudo. South Korea’s southern gem. Locals call it the Hawaii of Korea, and I get why. Volcanic landscapes, black sand beaches, waterfalls that look like they were carved out by a painter’s brush.

It was off-season, though. No tour buses clogging the roads. No honeymooners snapping photos every two steps. Just quiet.

That’s how the old man got us a deal. He always got the deal.

We checked into a resort hotel—one of those places built for crowds that never came this time of year. The halls echoed. The pool sat still. A few other families scattered around, but for the most part, it was ours.

For the parents, this was paradise. Peace. No schedules. No noise. For us younger ones? It meant no wild nights, no real partying. But I didn’t mind. I wasn’t much of a drinker yet anyway. Still figuring out who I was, what I wanted.

So we did what travelers rarely allow themselves to do.

We rested.

We took in the wind. The sea. The strange feeling of being far from everything familiar, yet somehow right where we were supposed to be.

It wasn’t loud. It wasn’t crazy. But it was needed.

And sometimes, that’s the best part of the journey—the quiet between the chaos.

Jejudo wasn’t just beaches and rest. It was a window—cracked open just enough to glimpse something older. Something deeper.

We visited a folk village, one of those places that smells like history and woodsmoke. Worn tools. Stone walls. People in hanbok showing how life used to be lived before glass towers and bullet trains.

Then there was the bonsai garden—a quiet, sacred kind of place. Twisted little trees shaped with obsessive care. Centuries of patience in every branch. I remember staring at them, wondering if I’d ever master anything in my life with that kind of focus.

And of course, the mushroom tea factory. Earthy. Bitter. Packed with promise—healing, energy, whatever the label said. I drank it like medicine, even if I didn’t know what it was supposed to fix. All the right things to do on vacation. The checklist stuff. But somehow, it didn’t feel forced. It felt earned.

We only had a few nights on that island. But I remember it all.

I remember hearing about the Jeju women divers—haenyeo, they’re called. Elderly women who free-dive without tanks, plunging into cold waters to harvest shellfish and seaweed. No fear. No drama. Just tradition and grit passed from mother to daughter, for generations. These women were warriors in wetsuits. Icons of resilience.

Then, like all good things, it ended.

We flew back to Seoul. But Jejudo stayed with me.

Still does.

We flew back to Seoul. The parents went somewhere. We forget. But our cousin will take us to an amusement park. We went to Never Never Land. It’s the Disneyland rip off that had all the same quirks, songs, and rides, but without the disney price. I really enjoyed this experience. I miss it sometimes. It was a special moment where we made memories. This is somewhere I’ll never probably take my family, but still. It’s a nice place. Wrapping up the trip with a few more drinking places back in Seoul, I’ve enjoyed this trip.

We flew back over Japan.

I looked down through the scratched airplane window and quietly promised myself I’d get there one day. Japan was where I really wanted to go. The dream. But life—well, life handed me a detour. A strange, beautiful, unforgettable detour.

And it gave me something I didn’t know I needed.

I was becoming a little more Korean. Not in blood, but in spirit. In rhythm. In ritual. In understanding. I was laying down roots that would help me grow into the man I eventually became. Stronger. Wiser. A little more patient. A little more grateful.

And then, like a lot of things in life, it ended in a way I didn’t want.

Then it happened. An event that was a major decision. A private one. They know. She knows. I’m never going to tear a family apart. I laid on that sword and we parted ways. Not the way I wanted it.

I miss them. Every one of them.

I’ve sent letters. No replies. I’ve thought about showing up—but I haven’t. Maybe I’m scared. Maybe I’m respecting their space. Maybe I just don’t want to know the answer.

People tell me not to try. Let it be, they say.

So I do.

But I still think about them. From time to time. When the world quiets down and the memories sneak back in. I still love them. Still wish they could see what I’ve become. What their kindness helped build. I only told less than a quarter of the story. For their privacy, so much was left out, but stays in my heart and memories.

That was the last time I set foot in Korea. And yeah—thinking about it still cuts deep. I never know if I’m going to cry or just sit there, numb. Sometimes I’ll hear a song from that time—Jo Sung Mo’s “To Heaven.” That was the anthem. Every Korean guy knew it. A heartbreak ballad disguised as a flex.

And me?

I didn’t just watch a Korean drama.

I lived one.

Cairo. 3AM.

We land in a haze. Ten hours in Rome behind us, not nearly enough sleep, and the last thing you want to do when you hit the ground is think. But Cairo doesn’t care. Cairo greets you with a smirk.

The airport is dim, disorienting. Already you can feel the hustle. We need a visa. Rookie mistake—I missed that. And like magic, the machines to process our $25 visas? “Broken.” Of course they are. No cash? Tough shit. Cards? ATMs? Dead.

But what did work was good, old-fashioned American green. I had none. He knew it.

Two hours go by. We’re stuck in this Kafkaesque loop of shrugs and fake sympathy. That’s when I flipped the script. Played the helpless tourist. Laid it on thick: We have no way out. We’re trapped. What are we supposed to do?

Suddenly, poof—the machine works. Just like that. Cards run. Visas printed. A miracle.

We smile. We thank him. We call him a hero. But deep down, we’re fuming. Fuck you for the performance.

Lesson one in Cairo: everyone’s working an angle. It’s not personal—it’s just business, survival, theater. But it’s on you to see the strings.

Visa in hand. Bags in tow. Eyes open. Welcome to Cairo, kid. Let the games begin.

The Second Hustle. Taxi wranglers. The middlemen of chaos.

We cleared the visa gauntlet only to be greeted by the next layer of the Cairo hustle. These guys don’t drive the taxis—they summon them, like street-corner magicians. They charm you. Make you laugh. Clap you on the back like old friends. You almost forget you’re being played.

It’s a game I’ve seen before. Mexico does it with the same grin. For five bucks, we got what we could’ve gotten ourselves—a cab. But hey, that’s the price of comfort. That’s the price of feeling like you’re not completely alone in a place that smells of diesel, dust, and ancient ambition.

The driver? He sized us up immediately. Easy marks. He took us the long way, the scenic route—if your idea of scenic is stopping in alleyways and street corners to snap photos of absolutely nothing. “Very beautiful,” he’d say, gesturing to a beige building covered in satellite dishes. I gave him the look. The international “cut the shit” hand wave. He got the message.

Eventually, we pulled up to the AirBnB. I picked the spot for one reason only: it was next to the pyramids. Could we have stayed somewhere nicer? Sure. But we weren’t here for mints on pillows and rooftop pools. We were here to feel the grit. The history. The weight of it all. We were travelers, not tourists—at least I was.

We checked in. Dropped our bags. Kipp and I stepped out onto the balcony. And there it was. The silhouette of giants in the dark.

Even with the bullshit, the scams, the smoke—that moment made it worth it.

We stepped inside. Bags down. Shoes off. And then—boom.

The view.

Not some postcard version, not the filtered Instagram bullshit. The real thing. Right there. The Great Pyramids, hulking and unapologetic, rising out of the sand like they were forged from the bones of the earth itself. Bigger than Rome’s Coliseum. Bigger than my memory could’ve imagined.

This was the moment. This was why you endure the scams and the slow-burn airport torture. For this.

Kipp, ever the genius, had snagged a bottle of limoncello at duty-free. Limoncino, he called it—probably butchered the name, but who cares? We poured two plastic-cup shots on the balcony like kings watching over a forgotten empire. It was sour, sweet, and perfect. The kind of drink that makes you forget what time it is.

I don’t believe in rushing a trip. Not anymore. There’s a night for partying. A morning for discovery. But this? This was the night for nothing. No plans. No noise. Just cold air, thick pillows, and the sound of Cairo muffled by double-pane glass.

Two bedrooms. Two beds. Two AC units humming away in the background. We slept like pharaohs.

Seventy-five bucks a night. That’s all it took to live like kings—on paper.

Inside? Marble floors, cold air, thick curtains, Wi-Fi strong enough to stream, scheme, and dream. It was luxury, no doubt. But crack open the door, step outside—and you were neck-deep in the Third World. Dust in your throat. Heat pressing down on your chest like an angry god. The street barked with stray dogs, honking horns, and the faint scent of burning diesel.

I looked at Kipp. Pale, sweating. I half expected him to start bubbling under the sun like a forgotten stick of butter. But inside? Inside, we had the fortress. Cold, calm, and silent. A temple of AC and filtered water.

After some hard-earned rest, we kicked things off the right way—with a pilgrimage.

The Grand Egyptian Museum. New, still half-wrapped in scaffolding and secrecy. Not officially open. Not to the masses, at least. But we had tickets—limited entry, a few hundred a day. Just enough to make it feel exclusive, but not too exclusive to keep out the curious, the obsessed, the pilgrims like me.

Because this wasn’t just a sightseeing trip.

I came with a mission. I needed photos. Hieroglyphs. The raw data. I’m building something—translation software, the kind of thing that takes centuries of meaning and tries to make it speak again. I needed texture, angles, light. But more than that, I wanted to see it with my own eyes. To bring it back in stories and snapshots to the people I love.

The museum was waiting. The stones were waiting. Time to go looking for ghosts.

Everything sparkled—except the past. And that’s exactly how it should be.

The Grand Egyptian Museum, still smelling of concrete dust and fresh paint, was a gleaming shrine to one of the oldest civilizations on earth. The air conditioning was crisp, the layout elegant. It felt more like a five-star hotel for the dead than a museum.

But the moment you walk in—bam—you’re hit with scale. Majesty. That deep, chest-rattling awe that only Egypt can deliver. You don’t ease into it. You’re greeted by greatness. Monolithic statues that tower like gods. Sandstone titans with thousand-yard stares. You walk in and suddenly, you’re insignificant in the best possible way.

And then the staircase.

A river of relics—artifacts placed with just enough casual grace to look accidental, but you know they spent months planning every inch. Pottery, busts, sarcophagi. Broken gods and beautiful fragments scattered like breadcrumbs for the faithful. Every step a chapter. Every landing a pause.

For the Egyptologists, this is church.

For the rest of us? It’s like walking through time with a backstage pass.

And when you reach the top, there’s the payoff again: the view. The city stretched out beneath the dusty glass. The old world bleeding into the new. You stand there, sweaty, humbled, surrounded by silence and stone, and you realize—you haven’t even scratched the surface.

This place was made to make you feel small—in all the right ways. The architects knew what they were doing. It wasn’t just a museum, it was theater. A slow reveal. Every hallway a build-up. Every artifact a drumroll.

And for the tourists staying in downtown Cairo or tucked away in sanitized hotel towers, this was their first glimpse of the pyramids. Framed through giant panes of glass like a movie set backdrop. For them, it was jaw-dropping. For us? Still magic. We had the balcony view from the night before, but this hit differently. This was the presentation—the reverent bow before the gods of old.

But reverence only gets you so far. Hunger crept in.

Kipp and I gave each other the look—half starved, half sunburned. So we followed the scent, like dogs on a trail, and drifted into the museum’s internal shops and cafés. Air-conditioned and overpriced. The kind of place where you can get a $5 bottle of water and a panini that died a quiet death under a heat lamp.

Still, after hours with the dead, sometimes all you need is food that reminds you you’re alive.

I’ll admit it—the food was solid. Surprisingly solid.

The kind of meal designed to calm the nerves of jet-lagged travelers who just stared into the faces of ancient gods. Not local fare by any stretch, but comforting. Clean. Seasoned just enough to feel exotic without scaring anyone. The kind of meal that says: Yes, you’re in Egypt… but don’t worry, your stomach’s still in Kansas.

It wasn’t cheap. But it wasn’t gouging either. Reasonable, if you spoke tourist. Unattainable, if you lived ten miles away. This place wasn’t for locals—it was curated for us. Travelers with currency that stretches further here than it ever would at home.

Couple of Turkish coffees—my go-to anywhere east of the Mediterranean. Thick. Bitter. Perfect. The kind of cup that slaps you awake and tells the jet lag to sit down and shut up.

The gift shop? A trap. A glittering, overpriced trap. I saw the blue cat figurine—every stall in Egypt has it. Here, it was museum-grade price. I passed. I knew better. I’d find the same cat in Luxor for a fifth the cost, probably wrapped in a newspaper and handed to me with a wink.

But for those who don’t know the game? Not a bad place to be fleeced.

Eventually, it was time to go. We fired up the ride share app—our modern-day camel. And right on cue, the local taxi drivers came circling, like sharks with clipboards.

“Don’t wait for him, come with me!”
“Only ten dollars! Special price!”

Special bullshit.

We slid into the app car. Four dollars. No haggling, no detours, no fake sightseeing stops or cousins with papyrus shops.

No conversation.

Just silence and AC, and the city slipping by the window like a fever dream. We made it home. Back to our view. This time, at night.

And then the night came alive.

The sun dropped behind the horizon like a curtain falling on an old play, and Cairo—no, Giza—shifted into something else entirely. Rooftops lit up with life. Families emerged like clockwork, climbing up for the breeze, the view, the ritual. Kids ran in circles. Elders leaned on rusted railings, sipping tea, trading stories. Radios played half-tuned songs that echoed like ghosts through the concrete canyons.

From our perch, pyramids lit in gold, we watched it all. The whole city glowing—not just with lights, but with something else.

It wasn’t quiet. It wasn’t clean. It wasn’t easy.

But it was alive.

The smells of charred meat, hookah smoke, and desert dust filled the air like incense from a forgotten temple. The sound of laughter, the clink of dishes, the rhythm of people who make do, who make more from less.

And in that moment, you realize—maybe wealth doesn’t always wear gold watches or sit in hotel lobbies. Maybe wealth is a warm breeze, a cracked rooftop, and three generations of joy under one sky.

Maybe they’re not poor at all. Maybe they’re the richest people in the world.

And maybe, just maybe, we’re the ones still figuring it out.

By the next morning, the strangeness had settled into familiarity. The heat, the dust, the symphony of honking cars and shouting vendors—it all started to feel like background music. The kind of music you don’t notice until you’re gone and you miss it.

We were ready to head deeper into Cairo, toward the city center. But first, the gauntlet: traffic. Third world traffic doesn’t follow rules; it follows instinct. It’s a living organism. People dodging cars like human Frogger. No traffic lights, just vibes. And somehow—somehow—no one dies. No one even yells. Everyone moves like they’ve been doing this since birth, which they probably have.

We were chasing a craving. Kipp had found this mythical German spot online—Weiner World? Wurst Haus? Something with umlauts and bratwurst dreams. But when we arrived, it was a tomb. Shuttered. Gone. The ghost of sausage past. No sign. No notice. Just dust on glass.

Disappointed and starving, we wandered until we found a small corner café with a name I already forgot. The kind of place with cracked tiles, two fans on full blast, and a mystery menu in Arabic. We waited.

And waited.

And waited.

Forty-five minutes later, salvation arrived wrapped in foil and grease. It wasn’t bratwurst—but it hit the same nerve. Some kind of Arab burrito—flatbread stuffed with meat, spice, and whatever else they had on hand. No idea what was in it. Didn’t care.

Kipp was full. Happy. That’s what mattered.

From there, we headed to the British museum outpost. Not the colonial original in London—the Egyptian version. Irony baked into the walls. A building full of treasures that somehow never left the country. Dusty display cases. Faded tags. History barely hanging on by rusted hinges.

But here’s the thing: these pieces were real. They were home. Not plundered, not staged. Just waiting to be seen again.

And we were there to see them.

Kipp and I made our way to the Egyptian Museum—the old one. The one that once hoarded all the glinting glory of Egypt under a single, slowly crumbling roof. The one in Tahrir, where dust is just part of the architecture.

Tickets? Bought. Entrance? Gained.

And then they came—the guides. Polished English, fake smiles, laminated badges. “You’ll never find anything without me,” one said with theatrical pity. “How would you even know what you’re looking at?”

Oh, we knew.

Or I did.

I wasn’t here to be impressed. I came with a hit list: King Tut, the brothers’ painting, the Book of the Dead. Not random pottery from the Ptolemies or forgotten fragments of lesser gods.

Inside, it was… well, a mess. Hot. Muggy. The air felt like it hadn’t moved since the 1950s. It reeked of mildew, age, and neglect. This was no modern temple to the past—it was a mausoleum that hadn’t been dusted.

To the right: Greek Egyptian artifacts. Columns and busts. White marble and old influence. We didn’t care.

We were on the trail of something better. Something golden.

Winding through the halls, I pointed out what mattered to me—The Two Brothers. A painting no one else was even looking at. That’s the thing: guides might show you what they think is important, what fits the script. But what about the things that speak to you? What about the weird, quiet stuff?

We hit the stairwell. There it was—The Book of the Dead, resting like a forgotten manual no one knew how to read anymore. Tourists walked past it. I didn’t. That papyrus had weight.

Then came the moment.

King Tut.

The real deal. Not the traveling exhibit they peddled to the West like carnival gold. This was it. No photos allowed. Good. Better that way.

His treasures gleamed with a stillness that defied time. The real mask. The real throne. The afterlife kit of a teenage pharaoh whose death launched a thousand museum wings. We stood in silence. We absorbed. No tour group noise. No guide rushing us along. Just gold, reverence, and the satisfying sting of a long chase finally ending at the right door.

Then: mummies. Too many of them. Crocodile mummies. Mummy overload. The dead needed less attention.

We clocked out in two hours, perfectly full. A guide would’ve stretched it to five with facts we’d forget and stories we didn’t ask for.

The place was a relic. King Tut’s treasures would soon be relocated to the new museum where they’ll have air conditioning and maybe a little dignity.

Parking was a disaster. Entry was a bureaucratic test of will. But still—we exited satisfied.

We called the Uber. No chatter. No detours.

Straight back to the fortress.

Back at the apartment, we sank into stillness.

The city buzzed below us—kids laughing in alleyways, dogs barking at nothing, the occasional motorbike ripping through the night like it had something to prove. But up here? Peace.

Kipp and I poured the last of the Limoncello. The pyramids stood outside our window like sleeping giants, glowing under the amber haze of city light. Ancient, unmoved, waiting.

We didn’t say much. Didn’t have to. There was comfort in the silence. In the knowing.

Tomorrow, we go face-to-face with the gods of stone. The pyramids. The reason you come here. The thing every photo, every textbook, every documentary tries—and fails—to prepare you for.

Tonight, we rest.

Tomorrow, we climb.

We started early. The air was still cool—still—for Cairo, anyway. The kind of morning that fools you into thinking the heat won’t come.

We were ten minutes from the gates of the Pyramid complex. Ten minutes through a gauntlet of smiling men with ulterior motives. Hustlers in every direction. They weren’t violent, they weren’t rude—but they were persistent. A “hello” was an opening. A glance was an invitation. So I cut it off at the knees.

“No.”
Keep walking.
Don’t stop.
Don’t explain.

Kipp followed my lead. No patience left for the dance. We’ve played it too many times before.

Through the gate, we pushed on—still being offered camel rides, postcards, “official” tour books, mystery bottles of perfume. One look at Kipp and they circled like he was injured prey. “You want camel?” “No stairs, sir!” “Too hot for walking!”
But we walked.
All the way up.

The Sphinx came first. Smaller than you think. Guarded, roped off. No platform access this time. Maybe someday. Still, she sat there—regal, ruined, proud. Her gaze forever locked on a city that doesn’t care.

We soaked it in. Silent. That kind of stillness you only get standing next to something carved before time had a name.

Then: onward.

The Great Pyramid. The big one. The one that brings people halfway across the world just to squint at the angles and wonder, How? But when you’re next to it—when you run your hand along the limestone, feel the weathered texture under your palm—it’s not aliens. It’s not magic. It’s humans. Generations of them. Hauling, shaping, stacking. Or. Maybe just aliens. Why not?

It’s possible. And that makes it more impressive.

We sat on the ancient stone wall and just… stared. Tourists buzzed around, snapping pictures they wouldn’t understand later. But we were still.

No climbing to the top. Rules are rules, even here. But the guards were mellow. As long as you respected the place, they left you alone. That’s all they asked.

We circled to the front. The entrance loomed ahead, dark and quiet. We flashed our tickets. No crowds. No chaos. Just a hushed corridor into the belly of the beast.

We were lucky. The moment felt ours.

The climb into the Great Pyramid isn’t majestic. It’s not ceremonial. It’s not even remotely comfortable.

The tunnel’s about four feet high and slanted like a bad idea. You hunch, you sweat, you bang your knees on uneven wooden planks someone called “stairs.” Kipp and I looked at each other mid-way up—already drenched, already regretting it—and muttered the kind of curses that only come when history meets poor ergonomics.

Eventually, it opens up a little. A breath of space, a ceiling high enough to stretch your back. But not for long. Near the top, we dropped to hands and knees again like penitents in some forgotten religion. Crawling into the sacred heart of this ancient beast.

And then—you’re there. The main chamber.

The tomb room.

A sweltering, airless box of disappointment.

A lone stone sarcophagus, chipped and hollow. No treasures. No inscriptions. Just heat, dust, and a single guard leaning against the wall with that look. The look that says “I’d love a tip.” He doesn’t say it. He doesn’t have to.

This was it? This was the payoff?

We lingered just long enough to pretend it mattered, then made our exit—crawling back out through the same miserable chute, soaked in sweat and wondering why pharaohs hated air circulation.

Sometimes, the journey is the prize.

Sometimes, it’s just bullshit.

After the crawl, we walked the rest of the park—dust in our mouths, sun on our backs, and history at our feet. And like a loyal vulture, the camel guy followed.

He shadowed us from a distance, circling closer every time Kipp looked a little too sweaty or leaned on one hip. Waiting for the moment—that moment—when Kipp might fold and say, “Okay, I need the damn camel.”

But Kipp didn’t fold.

He walked. Slow, steady, like some desert monk in shorts and a sweat-stained tee. Respect.

We had tickets for the second pyramid, the slightly-less-great sibling in this stone family. But after the furnace crawl into the first, we passed. Kipp’s back was done. And honestly? So were we. We did the one that mattered.

The rest would’ve been repetition with more joint pain.

So we made our way down the hill, past hustlers, past camels, past tourists trying to pose like they were holding the pyramids in their fingertips.

And we went to lunch.

Tired. Dirty. Starving.

Exactly how you’re supposed to feel after walking through 5,000 years of human ambition.

We found it—wedged between two stampeding rivers of traffic, a thin strip of restaurants clinging to the median like survivors of some urban flood. One-way mayhem roaring on both sides. A little island of shade, smoke, and sizzling meat.

We sat down under a patchy awning, watched the madness blur past, and exhaled. Cairo may never stop moving, but we did.

Menus came, prices laughed in our faces. Four bucks for a plate? Couldn’t be right. We doubled down—went big. Ten each. And when the food arrived, it was like feeding time at a construction site. Mountains of rice, skewers of grilled meat, bread for days, pickled everything.

We took half of it home. Not because it wasn’t good—but because we physically couldn’t fit more inside us.

Cairo’s cheap. Cheaper than Mexico. You eat like a pharaoh on the budget of a broke backpacker. And this meal? This was good. Simple, filling, soulful.

No tourist gloss. No fake ambiance. Just real food, real heat, real life.

Good for us. Damn right.

Later that evening, we made the pilgrimage—not to some obscure local gem or hidden street cart, but to a KFC/Pizza Hut combo. The kind of place that would be a punchline anywhere else in the world. But here? It’s a destination.

We’d seen it on Instagram. Everyone has. That rooftop shot. That greasy slice of Western fast food with the Great Pyramid looming behind it like a silent, dusty god. It’s absurd. It’s brilliant.

So we did it.

We flew across the world for this moment—this—a slice of mediocre pizza and a soggy piece of fried chicken with a view that emperors would envy.

And yeah, the food? Forgettable. The kind of meal you eat because you’re already committed. Because the view does all the work.

But honestly… where else are you gonna eat a stuffed crust slice in the shadow of 4,500 years of history?

Sometimes, the meal doesn’t matter. The moment does.

And we had it.

And That Was Cairo. The scams, the dust, the gold, the ghosts. The chaos, the charm, the pyramid pizza.

We saw what we came to see. Now it was time to head south—deeper. Luxor was waiting.

Kipp and I were chasing the world—one flight, one story at a time. En route to Egypt, Rome handed us a 10-hour layover. For Kipp, it was his first taste of Italy. We were jetlagged, worn thin, and could’ve curled up at the airport. But Rome doesn’t wait, and neither do we. Too much history, too much chaos, too much beauty packed into one city to waste even a second.

ipp and I hopped the train into the city—twenty bucks and a scenic ride through the outskirts of Rome. A taxi? That would’ve set us back a hundred bucks one way. Insanity. Still, we had time to burn and the option in our back pocket if it came to that. First stop: water. It was blistering out, and hydration wasn’t optional. Luckily, Rome’s got these ancient water fountains—nasoni—scattered all over the city, pouring out cold, clean water like a gift from the gods.

We stepped off the train and made our way through the Roman streets to the Trevi Fountain. Packed. Shoulder to shoulder with tourists, cameras flashing, everyone jostling for their perfect shot. It wasn’t easy to get a clear view, but we waited it out. This was Kipp’s first real taste of Rome—the chaos, the beauty, the history humming beneath the noise. After soaking it in, we drifted through narrow alleys and sunlit piazzas, heading toward the Pantheon, chasing shadows of the empire.

We wandered the narrow alleyways until they opened up into the square—and there it was, bathed in afternoon light. The Pantheon. Massive, stoic, impossibly old. A pagan temple turned church, still standing like it had something left to say. This wasn’t something you just passed by. We grabbed tickets and went in.

Around the plaza, cafés tried to sell the view, but most were blocked by scaffolding. Not the moment for a beer anyway. That’ll have to wait. Inside, it was cool, quiet. Kipp stood there, eyes wide, taking it all in. For the first time that day, the noise faded. This—this was Rome. Ancient history, finally, in the flesh.

We kept moving, the streets guiding us toward the towering white monument ahead—the Vittoriano. It’s impossible to miss. Ten years ago, I stood here wondering what the hell it was, why anyone built something so over-the-top. I still don’t have a great answer. But it’s massive, bold, unapologetically grand. And that kind of spectacle? It sticks with you.

Not far now. Just down the road was the reason I ever set foot in Rome in the first place—the Colosseum. The one that had haunted my imagination for years. We were close. You could almost feel it in the stones.

We walked—and walked some more—until finally, there it was. The Arch. And just beyond it, the Colosseum. No matter how many pictures you’ve seen, nothing prepares you for the scale of it. The first time I saw it, it knocked the wind out of me. In the U.S., we’ve got big stadiums, sure—but nothing this old, this defiant. Modern arenas are expected to be massive. This was ancient ambition carved into stone.

Kipp and I stood there, soaking it in. We talked history, joked about what he had to look forward to when he got home—books, documentaries, probably me sending him links for weeks. I asked if he wanted to go in, stand in line. He thought about it. But we both knew—this wasn’t the day. If we’re going to do it, we’ll do it right. Not a rushed tour, not crammed into a couple of hours. Next time.

For now, the hunger kicked in. It was time to eat.

We found it—food and beer with a view of the Colosseum. Couldn’t have asked for a better sendoff. When in Rome, right? Italian food was the only option. I went classic: pizza and a cold beer. It hit the spot. Thousands of miles from home, yet that simple combo made everything feel familiar, grounded.

As the day started to wind down, we knew it was time to head back. The train station was a walk away, and we had the timing dialed in—four hours to spare. Everything was mapped out. No panic, just a steady march through the Roman heat. We moved fast. Maybe too fast. But did we really? The air was thick and heavy, reminding us we weren’t done traveling yet. Egypt was next.

My brother and I boarded a flight south, chasing dust, myths, and dead kings. Luxor. Even the name sounds like something carved into stone.

When you land in Luxor, it doesn’t feel like arrival—it feels like you’ve slipped sideways into another dimension. The past doesn’t linger here. It lives. They call it the world’s greatest open-air museum, but that doesn’t do it justice. Museums are quiet. This place breathes.

Built on the bones of ancient Thebes—once the beating heart of Egypt’s New Kingdom—Luxor is a living contradiction. Time is fractured here. One minute you’re dodging donkey carts, the next you’re standing in the shadow of columns that have defied centuries of wind, war, and silence.

We made our way to the Valley of the Kings. A place carved into the cliffs, where over sixty tombs hold the remains and ambitions of men who thought they could cheat death. Tutankhamun’s tomb is small but electric—maybe it’s the myth, or maybe it’s the gold. But the real power is in the walls. Paint still clings to stone like it hasn’t aged a day. Nearby, the Valley of the Queens tells a different story—one of beauty, reverence, and Nefertari, whose tomb feels more like a prayer than a grave.

On the East Bank, Karnak Temple stretches out like it’s daring you to comprehend it. The Hypostyle Hall alone is enough to make you feel like an ant in a cathedral of giants. Then there’s Luxor Temple—serene, haunting, almost dreamlike when it glows under the night sky and the Nile murmurs beside it.

We walked through all of it. The cracked stone corridors. The sun-scorched plazas. We drifted on the Nile in silence, letting the wind carry a few thousand years to our ears.

Luxor isn’t just another destination on a checklist. It’s where stories were carved in stone and dared time to forget them. And if you’re lucky enough to walk it with someone who matters, it becomes more than a trip. It becomes a reckoning.

Go. Stand in the shadow of gods and dead kings. Listen. Touch the stone. And try to walk away unchanged.

Kipp and I threw our bags in the trunk and headed to Cairo International, chasing the next chapter of the trip. The taxi ride was uneventful, the kind of smooth, reasonably priced shuffle that reminds you not everything in travel has to be a struggle. No chaos, no scams. Just a ride.

As we rolled up to the terminal, something tugged at the back of my mind. I’d been here before—2015, passing through from Dubai to Rome. It’s funny how airports, of all places, can dredge up memories. Faces you haven’t thought about in years, fragments of conversations, half-finished dreams. That terminal, with all its sterile charm, had become a time capsule.

This time it was domestic. A ghost town compared to the international side—quiet, stripped down. A couple of food vendors kept the place from feeling completely abandoned. No gourmet anything, but we weren’t picky. We loaded up on snacks and maybe a little more booze than necessary, raising a glass to the next leg of the journey like two guys who knew they were exactly where they were supposed to be.

It wasn’t flashy. It wasn’t grand. But it was honest—a no-frills goodbye to Cairo, and a calm before the storm that is Luxor.

Kipp and I rolled into the Hilton Luxor—one of those last-minute decisions that turned out to be a damn good one. Say what you will about staying at a big-name hotel in a place soaked with ancient soul, but this place got it right. The kind of understated luxury that doesn’t punch you in the face with marble and gold-plated nonsense. Just clean lines, soft light, and a staff that actually seems to give a damn.

In the States, this setup would’ve set you back $250 a night, minimum. In Luxor? $120. Cheaper than Mexico. And I like Mexico. That kind of price-to-peace ratio doesn’t happen often.

The pool? Shallow. Maybe four feet, tops. But honestly, you’re not diving for gold medals here. You’re floating. Thinking. Watching the Nile slither by like it has for thousands of years. Besides, in a culture where swimming isn’t front and center, it tracks. Lounge, don’t lunge.

But the view—that’s the knockout punch. From our room, from the pool, from just about anywhere on the property, you’re staring at the Nile. Not in some abstract, “Oh wow, that’s cool” way. No. You’re locked in, humbled. That river is alive, old as time, and it knows things.

And right across it? The Valley of the Kings. Where names like Ramses and Tut still echo through rock and sand. Standing there, beer in hand, breeze in your face, it hits you: this was someone’s backyard once. This was home.

It’s hard to feel jaded when you’re looking at forever.

Hilton Luxor isn’t what most people picture when they think of Egypt. But there we were, checked in and stretched out, wondering what to do with ourselves besides just staring slack-jawed at the Nile. So we hit the gym.

Now, I’m not usually one to wax poetic about treadmills, but this one had a hell of a backdrop. Floor-to-ceiling windows looking straight out over the Nile. You’re lifting weights while the river that cradled an empire rolls by like it’s no big deal.

It made me think of this inside joke I have with my son—there’s this woman who used to work out at her kid’s soccer games, like right there on the sideline. Mortifying for him. But she had a point: you can exercise anywhere. So I snapped a picture of myself mid-set with that ancient river behind me and sent it to him. One part laugh, one part “I told you so.”

That night, we cleaned up and stepped into something rare for my brother—his first real fine dining experience. No chain restaurants, no laminated menus. Just a table by the water, the kind of service that floats in and out like it’s reading your mind, and that same lazy Nile breeze weaving through it all.

We each had an entrée, two drinks, and the bill? Twenty bucks a head. In San Diego, you can’t get two cocktails for that. I ordered the beef stroganoff—not exactly Egyptian, but something I wouldn’t pick at home. Rich, warm, comforting. Paired it with a couple of glasses of red wine that made the stars blur just a little more nicely.

We sat there in quiet disbelief. The price, the view, the calm. Sometimes you don’t need fireworks. Sometimes the luxury is in the stillness, the quiet clink of a wine glass, and the feeling that for once, you’re exactly where you’re supposed to be.

After a day crawling through tombs, dodging hustlers, and standing face-to-face with eternity carved in stone, Kipp and I did what any sunburned, dust-covered travelers should do: we found our way to a bucket of cold beers and a hookah pipe under the stars.

We called it hookah-thirty—our own little tradition. A reward. A pause button. Eight bucks for a bucket of beer. Four for the hookah. At prices like that, you’d be stupid not to indulge.

The tobacco was mild, probably dumbed down for tourists like us who, in their eyes, couldn’t handle the real stuff. They’re not wrong. Still, it hit just right—smooth, fragrant, something between a ritual and a lullaby.

We sat there in the glow of the hotel, the Nile lapping quietly in front of us, the Valley of the Kings watching from the other side like a silent god. The night was warm. The beer was cold. And for a while, everything else faded into the background—emails, deadlines, missed calls, whatever nonsense was waiting back home.

I’ve been to a lot of hotels. Some ridiculously over the top, some forgettable. But this place—this corner of Luxor—had heart. Service that didn’t feel like service. Beauty that didn’t try too hard. It reminded me of the Ritz in Abu Dhabi, minus the price tag and the pretense.

If you ever make it out here, stay a week. Unplug. Breathe. Let the ancient world whisper in your ear while you sip cheap beer and blow smoke into the night. It’s the kind of peace you don’t know you’re missing until you taste it.

I’m an early riser. Always have been. There’s something about the quiet before the world wakes up—the light just starting to bleed into the sky, the stillness before the chaos—that feels honest. No crowds. No noise. Just you and whatever place you’ve landed in.

I wandered the grounds alone, missing my usual sidekick, Orion. He’s my little walking buddy back home, but this time he’s with his mother. Not here. Not on this trip. The absence was loud.

Eventually, I found myself back in the hotel gym. A sleek little space with a ridiculous view of the Nile. You don’t get that back home. I moved through my routine, half on autopilot, half mesmerized by the ancient river flowing just beyond the glass.

Somewhere between sets, I made a video call to my wife and my 4-year-old. Saw their faces, heard the little voice that wrecks me every time. It was good. It was hard. That’s the thing about traveling—every magical moment is stitched with a thread of longing for the people you wish were with you.

Kipp and I were heading into the desert, chasing the ghosts of pharaohs and the kind of history that laughs at the petty urgency of modern life. The Valley of the Kings. You don’t come here for comfort. You come here for scale—for perspective. For the taste of dust and the weight of four thousand years pressing down on your shoulders.

We grabbed a taxi. In Luxor, you can rent a driver for the whole day for about 200 bucks. That’s a fortune here. Life-changing, maybe. But we weren’t looking for a tagalong. The driver wasn’t thrilled when we let him go. You could see the hope drop out of his eyes. I hated that part. But we had our own rhythm to keep.

We walked the 800 feet from the main entrance, ignoring the shouts from vendors and the ever-lurking possibility of a scam. Everyone’s hustling—sometimes for survival, sometimes just because they can. It’s part of the deal. People stared at us like we were either crazy or rich. Maybe both. I didn’t care. That walk was ours.

The heat was no joke, but I’ve been hotter. Arizona in July is a furnace. Luxor just smolders—dry, ancient, and still alive somehow. There were patches of shade and cold drinks if you needed them. Civilization hasn’t completely surrendered to the sand.

We bought the full ticket—access to all the tombs. But we weren’t in a rush to see it all. This wasn’t a checklist trip. We’d be back. First stop: King Tut. We headed straight there before the crowds showed up. No tour guides, no selfie sticks, just us and the faint scent of something eternal.

This wasn’t just tourism. It was time travel with a sunburn. And I wouldn’t trade it for anything.

King Tut’s tomb—small, cramped, and absolutely everything you’d hope for.

It’s the runt of the litter in the Valley of the Kings, tucked away like a footnote. But don’t let size fool you. What it lacks in square footage, it makes up for in raw, undiluted awe. The walls still hum with color—vivid yellows, deep blues—paint clinging to plaster like it was brushed on last week. Maybe it’s because Tut died young and they threw this thing together in a hurry. Maybe it’s because history decided this was the one we’d all obsess over.

Immediately, you’re hit with the ritual of the modern Egyptian tomb experience: the bribe. The guard doesn’t even try to hide it. Slip him $5 or $10, and suddenly you’re getting your photo taken next to a pharaoh. Not exactly how Carter pictured it, but here we are. I’m half-joking when I say for $100, I could’ve climbed into the sarcophagus and pretended to surf it. Who knows—he might’ve handed me a paddle.

Still, the kitsch fades fast when you stand in front of something you’ve read about since you were a kid. This wasn’t just another artifact behind glass. This was it—the tomb that rewrote history, that kicked off a global obsession, that dragged Howard Carter’s dusty boots into every textbook for the next hundred years.

I stayed for ten minutes. Maybe more. Long enough to let it sink in, long enough to feel the gravity of it.

For a moment, time stopped. And all the headlines, the documentaries, the cheap souvenirs melted into the quiet presence of a boy buried in a hurry, remembered forever.

I could post a million shots of tomb walls—colorful gods, jackals, and pharaohs frozen in some eternal procession—but honestly, the internet’s already full of them. What I did post were the shots that mattered: the ones with us in them. Proof that we were there. That we descended into the underworld like a couple of sunburned Indiana Joneses with jet lag and a Samsung S25 Ultra camera.

As we ventured deeper into the Valley—tombs growing longer, steeper, more elaborate—the bribes kept coming. Every new chamber had a new guard with a familiar look. Not hostile, just… opportunistic. They know the dance. Slip them a dollar or two and suddenly you’re allowed a few extra moments, maybe even a no-flash photo you’re definitely not supposed to take.

Pro tip: bring singles. Lots of them. American ones. Think of it like tipping at a dive bar—except the bouncers here guard the gates to the afterlife. No G-strings in sight, but I wouldn’t have been surprised if I could’ve tucked a bill into a shirt collar and gotten a guided tour of Nefertari’s dreams.

By the third tomb, things started to blur. Walls began to look the same. Gods, kings, symbols, stars. But it didn’t matter. You don’t come here to be entertained. You come here because this is the stuff of legends—dust and silence and the weight of history pressing in on you like the stones above.

We were standing in the cool, sacred heart of Egyptian mythology. Touristy? Absolutely. Still worth it? Every damn second.

After a few hours baking in the tombs, it was time to crawl our way back to the world of the living. First, though, we had to pass through the exit parade of vendors—wide-eyed and ready to pounce. Trinkets, scarves, statues, water bottles—priced at ten times what you’d pay in town, and worth maybe half of that. Still, they’re hustling for survival. Can’t knock the game. Just don’t play it blind.

We made our way toward the taxi area just as things were getting loud. A group of young drivers, polished rides, sunglasses, clean seats, air conditioning—they were ganging up on an older man whose vehicle looked like it had been through a civil war and lost. No leather seats. No AC. Maybe no brakes. The old guy didn’t stand a chance against the gleaming competition.

So of course, we picked him.

Sometimes you choose the ride that needs you as much as you need it. We handed him the fare like it was a handshake of solidarity. He didn’t say much, just nodded and smiled like a man who knew the value of small victories.

Inside the car, things got… interesting. Kipp, naturally, sat up front—first in line for any head-on collision. There were no airbags. I’m not even sure the steering wheel was bolted on. I took the back, where the door only sort of latched. One good turn and I might’ve been launched into a field of goats or date trees. We didn’t talk about it—we just laughed and gripped whatever didn’t rattle.

But the driver? Gold. Calm, kind, sharp as hell. His English was flawless, his knowledge deep, and he was hustling with dignity. Next time I’m in Luxor, I’ll look for him. You remember people like that.

Eventually, we pulled up to the Mortuary Temple of Hatshepsut. Heat shimmering off the stone. Another masterpiece of ambition and ego carved straight out of the mountain. Our guy said he’d wait. No rush. No pressure. Just a man and his half-alive car, giving two dusty travelers the ride of a lifetime.

We arrived at the Mortuary Temple of Hatshepsut expecting grandeur. Majesty. That spine-tingling sense you get when you stand in front of something truly timeless. What we got instead was a shake-down at the gates.

The guards didn’t even try to play it subtle. It wasn’t if you were going to pay—it was how much. You don’t argue. You don’t lecture anyone on ethics or UNESCO codes. You hand over the money like everyone else, and you move along. It’s theater, and you’re not the star.

Kipp was fuming—more than I was. Maybe I’d already burned through my daily quota of disappointment. We walked halfway through the complex, heat baking off the stone, the crowds indifferent. And honestly? It just didn’t hit. The façade—the part you’ve seen in every guidebook and travel ad—is stunning. No denying that. But the deeper you go, the less there is to feel. It felt empty. Museum lighting and a hollow echo.

So we bailed. Cut our losses and went back to find our driver.

I secretly hoped he’d rip a few donuts in the parking lot—lean into the chaos and give us one more story to laugh about. But he just smiled, nodded, and motioned for us to hop back in. No donuts. No drama. Just a slow roll back to the hotel in the same rattling death trap that had become oddly comforting.

Sometimes, the real show isn’t the temple. It’s the ride.

Back at the hotel, we sank into something that felt like ritual—pool time and buckets of beer. Cold, cheap, and well-earned. The Nile in front of us, the sun dipping low, the beer numbing the edges of our tired feet and ancient overload.

Later, we wandered through the local shops, the kind of tourist strip lined with brass trinkets, hookah pipes, and statues of gods long out of fashion. Somewhere in the chaos, Kipp found his prize—a golden throne. Not the golden throne, but a lookalike fit for a man with a sense of humor and a checked bag.

The next morning, we were packed and ready—mentally already on the next leg—only to find out that EgyptAir had decided, in classic fashion, to cancel our flight. No warning. No explanation. Just… canceled. The joys of travel.

We scrambled, rebooked with another airline, and found ourselves staring down one more night in Cairo. Not the worst place to be stranded, but not the plan either.

Before we left Luxor, I managed to get my hands on a strong cup of Turkish coffee. The kind that punches you in the throat and reminds you you’re alive. I sipped it slow, watching the heat rise off the stone around us. One last taste of this place before the furnace of midday hit.

We made it out. A little late, a little sweatier, a little poorer in small bills. But we made it. Cairo waited, and the next chapter was about to begin. Egypt had more stories to tell.